Sarojini Sahoo born 1956 is an Orissa Sahitya Academy Award winner Indian feminist writer, a columnist in The New Indian Express and associate editor of Chennai based English magazine Indian AGE, who has been enlisted among 25 Exceptional Women of India by ‘Kindle’ English magazine of Kolkata.Born in the small town of Dhenkanal in Orissa (India), Sahoo earned her MA and PhD degrees in Oriya Literature and a Bachelor of Law from Utkal University. She now teaches at a degree college in Belpahar, Jharsuguda, Orissa.
She is the second daughter of Ishwar Chandra Sahoo and the late Nalini Devi and is married to Jagadish Mohanty, a veteran writer of Orissa.She has two children Anubhav and Sambedana. Jagdish Mohanty is also a renowned Oriya writer, considered as a trendsetter in modern Oriya fiction, has received the prestigious Sarala Award 2003, Orissa Sahitya Akademy Award 1990, Jhankar Award, 1985 Dharitri Award, Prajatantra Award. Born in an iron mines of northern periphery of Orissa, he spent more than 30 years of his life working in the coal mines in western periphery of Orissa. Though he kept himself away from the cultural capital of Orissa, but still his writings highlighted him in the mainstream of Oriya literature and culture.Indian feminist writer Sarojini Sahoo. She has published ten anthologies of short stories. Her English anthologies of short stories are:Sarojini Sahoo Stories (2006). Waiting for Manna (2008).Her other Oriya anthologies of short stories are:- Sukhara Muhanmuhin (1981)
- NijaGahirareNije (1989)
- Amrutara Pratikshare (1992)
- Chowkath (1994)
- Tarali Jauthiba Durga (1995)
- Deshantari (1999)
- Dukha Apramita (2006)
- Srujani Sarojini (2008)
She won the Orissa Sahitya Akademi Award and Bhubaneswar Book Fair Award for her collection of short stories titled, Amrutara Pratikshare. Her novel Gambhiri Ghara proved to be a bestseller in Oriya literature. Her novels have gained a reputation for their feminist outlook and sexual frankness and has been translated into English and published from India under the title The Dark Abode (2008) and published from Bangladesh in Bengali as Mithya Gerosthali ( 2007 ).
Prameela K.P has translated this novel into Malayalam and has been published as "Irunda Koodaram" by Chintha Publishers, Thiruvanthapuram. Dr. Vishwanath Bite is working on itsMarathi translation, Martina Fuchs for German and Dinesh Kumar Mali for Hindi. Another novelPakhibas has been translated in to Bengali and published from Bangladesh under the same title in 2009. This novel has been translated into Hindi by Dinesh Kumar Mali and has been published with same title by Yash Prakashan, Delhi in 2010.
She has published eight novels in Oriya.
Upanibesh (1998)Prameela K.P has translated this novel into Malayalam and has been published as "Irunda Koodaram" by Chintha Publishers, Thiruvanthapuram. Dr. Vishwanath Bite is working on itsMarathi translation, Martina Fuchs for German and Dinesh Kumar Mali for Hindi. Another novelPakhibas has been translated in to Bengali and published from Bangladesh under the same title in 2009. This novel has been translated into Hindi by Dinesh Kumar Mali and has been published with same title by Yash Prakashan, Delhi in 2010.
She has published eight novels in Oriya.- Pratibandi (1999)
- Swapna Khojali Mane (2000)
- Mahajatra (2001)
- Gambhiri Ghara (2005)
- Bishad Ishwari (2006)
- Pakshibasa (2007)
- Asamajik (2008) ......Her novel Gambhiri Ghara proved to be a bestseller in Oriya literature. Her novels have gained a reputation for their feminist outlook and sexual frankness and has been translated into English and published from India under the title The Dark Abode (2008) and published from Bangladesh in Bengali as Mithya Gerosthali (2007). Prameela K.P has translated this novel into Malayalam and has been published as "Irunda Koodaram" by Chintha Publishers, Thiruvanthapuram. Dr. Vishwanath Bite is working on its Marathi translation, Martina Fuchs for German and Dinesh Kumar Mali for Hindi. Another novel Pakhibas has been translated in to Bengali and published from Bangladesh under the same title in 2009. This novel has been translated into Hindi by Dinesh Kumar Mali and has been published with same title by Yash Prakashan, Delhi in 2010.She has published a collection of essays Sensible Sensuality (2010), published by Authors Press, E-35/103, Jawahar Park, Laxmi Nagar, Delhi- 110 092, where redefining femininity with Eastern perspective, the book explores why sexuality plays a major role in our understanding of Eastern feminism. The author thinks feminism should not act in opposition to men as individuals. To her, feminism is against oppressive and outdated social structures which forces both men and women into positions which are false and antagonistic. Thus, everyone has an important role to play in the feminist movement. It seems ironic that feminism has been characterized as anti-male, when in fact, it seeks to liberate men from the macho stereotypic roles men often have to endure such as the need to suppress feelings, act aggressively, and be deprived of contact with children. Sahoo thinks people should emphasize their femininity rather to impose the so-called stereotyped feministic attitude of the second wave. As an Indian feminist, many of Dr. Sarojini Sahoo’s writings deal candidly with female sexuality, the emotional lives of women, and the intricate fabric of human relationships, depicting extensively about the interior experiences of women and how their burgeoning sexuality is seen as a threat to traditional patriarchal societies; this book is rare of its kind and has covered the topics that never be discussed so far in any Indian discourse. Her debatable concept on feminism, her denial of Simone De Beauvoir’s ‘the other theory’, make her prominent feminist personality of South Asia and for which KINDLE Magazine of India has placed her among 25 exceptional mindset women of India.
- Orissa Sahitya Academy Award, 1993
- Jhankar Award, 1992
- Bhubaneswar Book Fair Award, 1993
- Prajatantra Award, 1981,1993
- Sarojini Sahoo is a key figure and trendsetter of feminism in contemporary Indian literature. For her, feminism is not a "gender problem" or confrontational attack on male hegemony and, as such, differs from the feminist views of Virginia Woolf or Judith Butler.Sahoo accepts feminism as an integral part of femaleness separate from the masculine world. Writing with a heightened awareness of women’s bodies, she has developed an appropriate style that exploits openness, fragmentation, and nonlinearity.Sahoo, however contents that whilst the woman identity is certainly constitutionally different from that of man, men and women still share a basic human equality. Thus the harmful asymmetric sex /gender "Othering" arises accidentally and ‘passively’from natural , unavoidable intersubjectivity.Treating female sexuality from puberty to menopause, her fiction always projects a feminine sensibility. Feminine feelings such as restrictions during adolescence or pregnancy, fear factors such as rape or being condemned by society, the concept of the "bad girl," and so on, are treated thematically and in-depth throughout her novels and short stories.Her feminism is constantly linked to the sexual politics of a woman. She denies patriarchal limits of sexual expression for a woman and she identifies women's sexual liberation as the real motive behind the women's movement.In South Asian Outlook , an e-magazine published from Canada, Menka Walia writes : “Sahoo typically evolves her stories around Indian women and sexuality, which is something not commonly written about, but is rather discouraged in a traditionalist society. As a feminist, she advocates women’s rights and usually gives light to the injustices Eastern women face. In her interviews, she usually talks about the fact that women are second-class citizens in India, backing up these facts with examples of how love marriages are forbidden, the rejection of divorces, the unfairness of dowries, and the rejection of female politicians.”.For her, orgasm is the body's natural call to feminist politics: if being a woman is this good, women must be worth something. Her novels like Upanibesh, Pratibandi and Gambhiri Ghara cover a myriad of areas from sexuality to philosophy; from the politics of the home to politics of the world. According to American journalist Linda Lowen, Sarojini Sahoo has written extensively as an Indian feminist about the interior lives of women and how their burgeoning sexuality is seen as a threat to traditional patriarchal societies.Sarojini’s novels and short stories treat women as sexual beings and probe culturally sensitive topics such as rape, abortion and menopause-from a female perspective.
- Sexuality is something that can be related to many other aspects of culture, tightly-linked with an individual life, or into the evolution of a culture. Anyone’s class or ethnic or geographic identity could be closely associated to his/her sexuality, or anyone’s sense of art or literature. Sexuality is not just an entity in itself.Still, either in West or in East, there is a reluctant outlook towards sexuality. Society has always tried to hide it from any open forum. But neither society, nor the legislature, or even the judiciary stand by the side of sexuality to support it.In the West, James Joyce’s Ulysses or even Radclyffe Hall's Loneliness in the Well or Virginia Woolf’s Orlando are some examples which have to suffer a lot for describing sexuality in literature. Sexuality in literature grew with feminism.Simone De Beauvoir, in her book The Second Sex, first elaborately described the gender role and problem away from biological differences. InOriya literature, Sarojini is considered a key figure to discuss sexuality in her fiction with a sincere effort to express her feminist ideas.
Her novel Upanibesh was the first attempt in Oriya literature to focus on sexuality as a part of social revolt by any woman. Medha, the protagonist of her novel, was a bohemian . In her pre-marital stage, she was thinking that it was boring to live with a man life-long. Perhaps she wanted a chain free life, where there would be only love, only sex and would not be any monotony. But she had to marry Bhaskar. Can Indian society imagine a lady with bohemianism? In her novel Pratibandi, Sarojini has also described the thematic development of sexuality in a woman. Priyanka, the protagonist of the novel has to encounter the loneliness in the exile of Saragpali, a remote village of India. This loneliness develops into a sexual urge and soon, Priyanka finds herself sexually attached with a former Member of Parliament. Though there is an age gap between them, his intelligence impresses her and she discovers a hidden archaeologist in him. In her novel Gambhiri Ghara, she describes an unusual relationship between two people: a Hindu housewife of India and a Muslim artist ofPakistan. It is a net-oriented novel. A woman meets a very sexually experienced man. One day he asks if she had any such experience. The woman, Kuki, scolds him and insults him by calling him a caterpillar. She said without love, lust is like hunger of a caterpillar. Gradually they become involved with love, lust, and spiritually. That man considers her as his daughter, lover, mother, and above all these, as a Goddess. They both madly love each other, through the internet and on the phone. They use obscene language and they kiss each other online. Kuki does not lead a happy conjugal life though she has a love marriage with Aniket. But the novel is not limited to only a love story.
It has a greater aspect. It deals with the relationship between State and individual. Safique is not a Muslim by temperament, but as a historian, thinks the Pakistan of today has separated itself from its roots and looks towards Arabian legends for his history. He protests that the syllabus of history for the school would start from seventh century A.D., not from the Mahenjodaro and Harappa. Safique was once arrested after the bomb blast of London for allegation of being associated with the terrorist, but is it a fact? Later Kuki came to know that Safiques is trapped by a military junta. The ex-lover of Safique’s wife had revenged on Safique by arresting him with an allegation of terrorism. Here, the author deals with the question of terrorism. There is often discussion about terrorism caused by an individual or by a group. Society rarely discusses terrorism caused by a state.
चट्गोंग बांग्लादेश में 
What is a state? Is it a group of people that resides within political and geographical boundaries? Are a state’s identity, mood and wishes separate from its ruler? Is the wish of George W. Bush not considered as the wish of America? Has it reflected the mood and wish of the people of America? So, every time, the state’s arranged anarchism or terrorism is merely a reflection of a terrorism caused by an individual. The great truth lies beneath Safique, as a terrorist, develops from the mind of a military man.The author has successfully painted the difference of sensibility towards sexuality between male and female and has her own credibility for the frankness to deal with sensitive matters, be they matters of politics or matters of sexuality. She has gained a reputation and has her own place in the history of Oriya fiction. According to Eliza Parija in The Tribune she is considered the Judith Butler and Virginia Woolf of contemporary Oriya literature. And yet for her, feminism is not just about battling male hegemony. For Dr Sarojini Sahoo, an award winning Oriya writer, feminism is linked with the sexual politics of women. She refutes the limits that patriarchy places on female sexual expression and identifies women’s sexual liberation as the real motive behind the women’s movement."The world would be a lot of poorer without sexual energy in art, music, literature, drama, architecture, design, poetry and cooking", Dr. Sarojini Sahoo says in one of her posts on Sexuality and Spiritualism in Indian literature.
Well known for her frankness,Sarojini Sahoo, is a prime figure and trendsetter of feminism in contemporary Oriya literature.Reviews
Gambhiri Ghara is one of the much acclaimed novels of Sarojini Sahoo. ... she does not betray her distinction of being the leading feminist writer of Orissa.:
http://oriyanari.tripod.com/id21.html She is considered the Judith Butler and Virginia Woolf of contemporary Oriya literature. And yet for her, feminism is not just about battling male hegemony.http://www.tribuneindia.com/2008/20081026/spectrum/book7.htm
The Dark Abode is as powerful as any of Sahoo’s most popular creations. Like in all her other masterpieces, this novel will not betray her characteristic of being a feminist writer and is sure to peak the interests of both new and old readers alike.http://poetrywriting.org/Sketchbook0-0BookFair/Sketchbook_Book_Fair_A_Dark_Abode_Dr_Sarojini_Sashoo.htm
Though in her stories Sarojini deals with the social issues but she is basically a writer of Individual values http://www.redroom.com/publishedwork/sarojini-sahoo-stories
Sarojini Sahoo is a remarkable writer of Oriya language. She is known as one of the first ranking feminist writers of India. Known mainly as a fiction writer, she usually writes in Odiya. (Reviewed by noted Bangladeshi Writer Selina Hossain)http://www.redroom.com/publishedreviews/the-dark-abode-indian-oriya-novel-sarojini-sahoo
It is a story of an extra marital affair between two lovers who belong to two enemy countries, India and Pakistan. The lovers have not seen each other. The bridge of communication between them is e-mail. The hero is a perverted artist who enjoyed fifty-two affair in his life while having two wives in Pakistan. He tries to be a perfect man after falling in love with the protagonist, Kuki. Post-colonial situation of Indian sub-continent enhanced the hostility between Hindus and Muslims. But the people have the same group myths that the political authorities always try to rebuff.http://www.writersinthesky.com/news-nov08.html
An online ezine Thanal Online has published a review on 'Gambhiri Ghara' (The Dark Abode) at http://www.thanalonline.com/Issues/08/review_en.htm
An Oriya novel by Sarojini Sahu : Synopsis of the novel GAMBHIRIGHAR (The Dark Abode) ...
http://indianliterature.rediffblogs.com
Upanibesh( 1989 ) , Sarojini Sahoo - the first attempt in the literature of the Oriya language of India to focus on sexuality as a part of social revolt by a woman.
http://en.wikipedia.org/wiki/List_of_feminist_literature
Authors who have advocated sex-positive feminism include Ellen Willis, Susie Bright, ..... Sarojini Sahoo - Indian author (Oriya language, Orissa state) ...
http://wapedia.mobi/en/Sex-positive_feminism
Certainly it can be considered a good piece of news for readers of literature in Bangladesh that a worthy translation of a novel by a noted fictionist of Orissa has come out very recently from a local publishing house. The novel Mithya Gerosthali, set in a very familiar context, is able to draw the attention of many for both its loftiness and its lucidity of language…….
http://www.thedailystar.net/story.php?nid=8039
Gambhiri Ghara is one of the much acclaimed novels of Sarojini Sahoo. ... The novel is a powerful as any of Sarojini Sahoo's most popular short stories.http://www.boloji.com/women/099.htm
The Review of "Mithya Gerosthali" by eminent fiction writer Anisul Haque, published in the 2nd November 2007 issue of the Bangladesjhi Daily "Pratham Alo"
